Learning to Improvise: Two brave adults explore new music-making territory

Paying tribute to hard-working students is always a pleasure for me. And this month I’m especially pleased to shine the studio spotlight on Amy Arbogast and Mike Morath - two working professionals who have been making noteworthy progress with piano over the past year.

Beginnings

While Amy and Mike came to study piano from different pathways, they share some similar goals and reasons for including music in their lives. 

Amy, a public speaking teacher and consultant, played guitar for many years before feeling a desire to explore a different chordal instrument. When we began working together, she told me that filling her house with piano music - especially during the holiday season - was something she wanted to share with her family.

Amy was also interested in learning a new skill - one that she didn’t necessarily have to master. The more important goal, she said, was to “just have fun.” 

Mike, a human resources analyst, started piano lessons online and made some progress but then began feeling the need for more in-depth knowledge. He said: “I started piano by self-teaching with an iPad app and it helped to a certain point but it didn’t really capture the immediate feedback that I was looking for.” 

Mike also told me that he had recently celebrated a milestone birthday and decided to make learning his favorite instrument more of a priority.  

Beyond the Basics

Before starting lessons, most adults tell me that their primary goal is to develop skills that will help them play the music they enjoy. Some of these more “traditional” skills include playing technique, reading notation, and music theory. 

Since Amy and Mike both came to lessons with some previous knowledge about music, these skills were, in fact, what they were expecting to learn more about. What they weren’t expecting, however, was to hear me say “Hey, let me show you another way you could play this song by improvising.” 

What is Improvisation? 

Okay, so I know that improvisation is a term that most people are already familiar with. Still, I’d like to offer a definition in terms of my teaching philosophy here at the studio:

Improvisation - is a creative activity that calls on performers to express their “in-the-moment” musical ideas in a safe and stimulating learning environment.

The Benefits of Being Imperfect

I always encourage (but never force) students to improvise when they begin their instruction. Why? Well, along with other well-documented benefits having to do with music development, students, over time, build confidence in their playing abilities - whether those abilities relate to improvisation or other aspects of music-making. 

One of the main reasons that learning to improvise can be such a game changer for boosting confidence is because students come to understand that making mistakes and playing imperfectly is a natural part of the learning process. When performers adopt this mindset, they tend to reduce self-critical thinking and become more willing to experiment with their own musical ideas.

Here’s what Amy and Mike both had to say after having studied improvisation (along with their other skills) for a little more than a year: 

Amy: “At first I found improvisation challenging and a little intimidating. But now I actually find improvising to be kind of freeing. It’s nice to be challenged to play a piece imperfectly and in a way that speaks to you. It’s a way to have fun and be creative.”

Mike: “Learning to improvise has allowed me to play more freely, put my own spin on things, and has opened up other musical doors that I didn’t know existed. I’d even say that improvising has affected other areas of my life - having me consider different ways of doing things.”

Bonus Skills

Confidence-building isn’t the only upside of learning to improvise. As I mentioned previously, there are other well-documented benefits associated with spontaneous creating - some of which I’ve listed below and plan to elaborate on in future posts.

Improvising:

  • Calls on Active Listening skills

  • Encourages Collaboration

  • Enhances Cognitive Flexibility

  • Promotes Brain and Body Health

  • Is just plain Fun

A Journey of Risks & Rewards

Up to this point, I’ve focused on many of the positives associated with improvisation. It’s only fair to admit, however, that most students express some degree of uneasiness when I first ask them to “give a try.” Remember the first part of Amy’s quote  from earlier? (“At first I found improvisation challenging and a little intimidating.”) 

I believe that Amy and Mike would agree with me if I described “learning to improvise” as an exciting ride on a (sometimes) bumpy and winding road. Learning to maneuver around roadside surprises and push through other obstacles, though, often leads to lasting feelings of accomplishment. 

My hats off to Amy and Mike! Their willingness to explore new pathways to learning along with their dedication to practicing has allowed both of them to make rapid progress - all while juggling the competing demands of work and family life with their personal time. And that’s some good news worth sharing! 

Road Testing Our New Listening & Creating Station (Part 1)

In the August issue of our student newsletter (The Scoop), I announced the arrival of our new “Listening and Creating Station.” She’s a beauty - wouldn’t you say?

Sleek styling aside, this new piece of studio furniture was meant for more than aesthetic compliments. Enter my student Victoria . . . Ta-da!

Given that she and I had just started working on a new Partner Project, I thought to myself . . . “What better way to test drive the new studio desk than with a collaborative music-making activity.” So, that’s what we did. 

While we’re still in the early stages of the creative process, I can tell you, with confidence, that this inspiring resource - along with other studio updates - have served as perfect complements to our music-making efforts. The spacious and well-designed studio desk, especially, has been making our workflow so much easier.

I’m looking forward to sharing more of the details of our project after we’ve journeyed down the creative trail a bit further. In the meantime, I’ll simply say that the Listening and Creating Station has done a great job living up to its name. 

Be sure to stay tuned! In part two of this post, I’ll be discussing the process of our project from start to finish. 

Young Composer and Collaborators Help Listeners De-Stress

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I always enjoy sharing good news and stories about the progress of my students. In this post, I’d like to recognize Matthew Metlitsky - a 9th-grade student who, along with me, composed and recorded a piece of music during our pandemic. 

Prior to our project’s beginning, Matthew had been keeping busy studying and practicing composition techniques while enrolled in the Music Makers program here at the studio. Among other skills, he learned how to write melodies, build chord progressions, and communicate his original ideas with other musicians. 

To help Matthew exercise some of his newly acquired skills, I suggested that we work on a project together - one that would offer him an opportunity to write for a real-world audience. I was happy when he accepted my invitation. 

When we began generating musical ideas, I noticed that Matthew was tending toward a more upbeat sound. Because we had already talked about applying our musical themes to a particular concept or cause, we thought that helping people relieve stress - in particular, stress brought on by COVID - would be a good idea. 

To help reinforce the piece’s optimistic mood, we decided to add a flute part to the solo piano arrangement. Luckily, my friend Sean Bailey - an excellent clarinetist and woodwind doubler - agreed to help out. 

Our recording, like so many others that were captured during the pandemic, took place remotely. Despite the distance between us (Rochester, NY and Philadelphia, PA), we felt good about how the separate performances synced up and how the instruments blended together. 

Since one of our initial goals was to share this music, we’re inviting you now to enjoy the sounds of A Sunny Day. Click on the audio player below to listen to A Sunny Day. If you like what you hear, please share this blog page with others. We’d love it if you joined us in helping others de-stress!

Kudos to Matthew and Sean - two collaborators who helped bring this project into being. Despite some minor frustrations during the composing and recording stages (to be expected), we had a lot of fun making this music. Thanks, guys!

To learn more about Sean Bailey and his music, click here: http://www.upbeatmusician.com/about.html

Talented, Young Women of Music & Art

While it’s always sad to say so long to graduating seniors, I couldn’t be happier for Pat and Shamitri - two of my long-time students who are heading off to experience new academic adventures this fall.

Pat

Pat

Shamitri

Shamitri

Pat, who has studied with me for 6 years, will enroll in the Computer Science and Arts program at Carnegie-Mellon University. Shamitri, who I’ve taught for 9 years, will start her first semester at Cornell University and is planning to major in Chemistry.

In addition to sharing a love of music, Pat and Shamitri both happen to be talented sketch artists. Just check out these drawings! 

Pat S. (Esther and Ezra)

Pat S. (Esther and Ezra)

Shamitri B. (Through my eyes)

Shamitri B. (Through my eyes)

It’s worth mentioning that the characters represented in these works served as inspiration for collaborative composition projects that we recorded a few years ago (Stay tuned to my website’s blog page for updated music and stories about each project). 

It’s been amazing to witness Pat and Shamitri’s development over the years. These two young women grew up right before my eyes - literally and artistically!

Although I’ll really miss both of them, I know that Pat and Shamitri will continue to appreciate music for a long time to come. And what a great feeling that is!

Getting Started With Improvisation; Part I - Listen and Play

I was recently reflecting on some of the different ways of getting started with music improvisation and thought about an approach that I use quite often. I’ll invite students to simply embellish notes and vary existing melodies. This way of getting started works so well, I believe, because students generally perceive it as non-threatening. I’ve found this to be especially true when I encourage students to “start off by making small changes.” That suggestion, along with a quick demonstration, seems to help students overcome initial fears like feeling lost or not knowing what to do.

This is the way it began with my student Alex when he first started improvising. If we happened to be working on a piece he was already familiar with - say, a well known classical music excerpt, folk tune or movie theme, I’d challenge him to “play all the same notes but change only the rhythm” as a way of inviting his own ideas into the music.

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Last October, I noticed Alex’s improvement with his improvisations during an Open House music event. The duet piece we shared with our audience was one that he actually performed with a larger group of professional musicians just a few months before. October’s performance was different though. While he embellished and varied the same music, the quality of those embellishments and variations was noticeably better, especially during his solo.

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If you’re curious to hear the piece that Alex and I performed, I’ve included an edited studio version of it here:

 

For those of you who already play piano, I’ve also included a free “easier” piano solo version of Spy To Spy. View the composition below and download in PDF format here.

You’ll notice that the music includes a written piano solo with chord symbol notation. If you’re not yet familiar with how to read and interpret this harmonic map, you can still have fun playing the solo. Just do what my other students do . . . embellish and vary! Try not to let thoughts about making mistakes stop you from experimenting and making your own music.

Stay tuned! In part II of this post, I’ll be demonstrating some more ways of getting started with improvisation.

Peace is possible

Note: This post is an edited version* of a group email that I sent out on Christmas day, 2019.

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Merry Christmas and Happy Holidays! I hope you’re relaxing and enjoying some extra time with family and friends. 

Sorry, I’m not generally inclined to sending group messages but wanted to reach out to as many of you as possible - including those friends with whom I haven’t communicated in a while. 

Okay, so I’ll get right to it . . . I’ve been feeling the urge to spread a message of peace. And, no, not just because it’s the holiday season. It’s been more about finding a way to counter my feelings of frustration with “breaking news” stories that invariably portray our world as a dangerous place.

It’s easy to see how people become skeptical about the prospect of peace when they’re continually bombarded with media messages about corrupt politicians, threats of war, and environmental disaster. But should we allow our hearts to harden? Are we willing to relegate the realization of peace to lofty aspirations?

But wait . . . I didn’t intend a soapbox speech or rant about the misguided agendas forced upon us by our so-called leaders and corporate media . As I noted already, my goal is to spread a message of peace. If anything, I’m hoping to make you feel a little lighter this holiday season.

I recently read a quote by John Lennon that got me thinking about peace in a different way. Check it out:


“Peace is not something you wish for; It’s something you make, something you do, something you are, and something you give away.” 

-John Lennon

nd tha

nd tha


It’s pretty obvious what JL was getting at here, wouldn’t you say? Hoping and wishing for peace simply isn’t enough. If we want to realize peace, we need to actually do something about it. Mahatma Gandhi’s famous quote: “You must be the change you wish to see in the world” strikes me in the same way. Any hope for change requires our full participation.

Getting back to Lennon’s quote, It was that last line especially - “And something you give away” - that not only changed my thinking but served as a catalyst for action. Anyway, here’s a little background about how I decided to put peace into practice.

Several years ago, I composed a piece of music that was intended to be melodically and harmonically simple - a song that a mother might hum or sing while rocking her baby to sleep. A direct expression of a mother’s love for her child by way of peaceful song. A lullaby. 

And now I’d like to “give away” some music I composed. I’d like to share this gift with you in the hope that you’ll experience feelings of peace while listening to “Lullaby.”  

Before signing off, I’d like you to consider this question: Is there something you can give away? It doesn’t have to be an original song or even anything art-related. Perhaps that “something” could be sharing time with a family member, sitting down for a face-to-face with a friend you haven’t seen in a while, or maybe volunteering for a cause you believe in.

Choosing a more active role in helping others won’t stop the Washington insiders and media giants from trying to hijack your attention but it will allow you to experience a higher level of inner peace. And isn’t that what we’re all after?

Here’s wishing you a peaceful and prosperous 2020!

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* I first thought about making some changes to the original (group) email after receiving some feedback from a friend whose opinion I value. I also decided to add a couple concluding paragraphs that I’m hoping will encourage the reader’s participation.




3 New Musical Destinations at a New Location

There's plenty to be excited about this fall at Piano Plus! If you haven't already heard, the teaching studio has relocated to Pittsford, NY.  More exciting  than the move, though, is the news I have to share about three new musical activities that I’ll be offering students starting in October. Drumroll, please! . . . And here they are:

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Piano Plus 1 - is a performance based activity that’s been designed to take your improvisation skills to the next level. During this activity's 10-week session, we'll select and prepare a piece of music that the student and pro collaborator perform (in-studio) during the month of December.

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Piano Plus Tech Mini Project - is a composition based collaborative project that the student and I develop over the session's 10-week run. With the help of a computer application (e.g., Logic, Band-in-a-Box), we'll prepare and present our finished work in-studio during the month of December.

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Musicianship Master Class/Jam - These “Open House” events - hosted by yours truly - will meet monthly (except for December) and will include a didactic topic followed by an “all instruments available” jam session. Musical friends of current students are encouraged to attend. Be sure to bring your instrument!  

Of course, music study at Piano Plus is just as much fun if your primary goal is to play for your own enjoyment. Learn to play the Blues, a Broadway tune or any other style in a friendly, personalized learning environment. 

Explore more of the website and feel free to contact me with any questions - I'm here to help!  


Please Note: During the month of October, I'm offering a FREE trial lesson for anyone who's interested in "getting started yesterday" with piano, improvisation, or composition. If you've got an instrument to practice with, you're ready! Contact me now to set up a time. 

A Growing Group of Music Makers

Last Sunday, family members and friends gathered to hear 17 talented musicians perform for our June Student Showcase.

As in previous events, the young musicians played alongside professional musicians from the Rochester, NY area. All students were featured as soloists and performed selections from the musical worlds of Broadway, Jazz, Classical, Pop and Video Game themes. And if that wasn’t already wonderful enough, two ambitious students worked with me to compose original music for for our Pro-Am ensemble. This coming together of creativity and collaboration had a way of causing proud parents and other listeners to smile and cheer . . . song after song!

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My heartfelt appreciation goes out to this year’s student participants: Onnalise M., Alex R., Lily B., Bailey B., Arav B., Alex W., Giada D., Stephen G., Cameron H., Josh J., Lucas C., Caroline C., Tommy M., Shamitri B., Benjamin C., Pat S., and Javiana D. Thanks to all for your hard work and dedication to our musical projects over the last couple months!

I’d also like to say thanks to Bob DeRosa (bass guitar), Matt Bent (percussion) and Aidan O’Connor (woodwinds) - the “pros” who did such a great job shaping the music and making it so much easier for the students to shine.

Stay tuned for upcoming posts - we’ll be sharing much of the music we performed with you!